29/40
I went to Juilliard
Plot
A dead couple’s spirits are haunted by an insufferable family that has moved into their house and hires a malevolent spirit to drive them away. This is Michael Keaton’s favorite movie. Otho’s shoes as he paints the walls of the house change from fire truck red elf shoes to white sneakers as he walks through the bathroom, then change back to red elf shoes when he enters the next room. Adam: What are your qualifications? Beetlejuice: Ah. Well… I graduated from Harvard Business School.
I travel a lot
I lived through the black death and had a lot of fun during that time. I’VE SEEN THE EXOCCER ABOUT ONE HUNDRED AND SIXTY SEVEN TIMES AND EVERY TIME I SEE YOU IT’S FUNNY… NOT TO MENTION THAT YOU’RE TALKING TO THE DEAD… NOW WHAT THINK – YOU? Do you think I’m qualified? The Geffen company logo is accompanied by a macabre version of the song Banana Boat (sung by the film’s composer Danny Elfman). A working copy of the film has appeared with some added/alternate scenes.
Instead of a desert, he sees an empty darkness filled with spinning teeth
This version of the movie is about 2 minutes shorter than the theatrical version, has a few extra scenes and is missing others, is in black and white, and has a timecode at the bottom. This version has 4 major differences: Alternate Scene: The scene where Adam tries to leave the house after he and his wife die is different. Finland:Additional scenes: There is an additional scene where Lydia elaborates on the photos she took of Adam and Barbra. Then, when her mother yells at her and accuses her of putting holes in her sheets, Lydia goes upstairs and tries to convince her father that the photos are real. There’s more to the scene where the adults search the attic for ghosts, and we see a desert monster try to eat Adam and Barbra as they hang from the attic window. Finally, there is another 2 minute scene at the end where we see Lydia cycling home from school and her parents talking to Jane on the phone to tell her they don’t want to sell the house. Lydia’s dance scene is shorter in this version, and there is no scene with Beetlejuice in the waiting room.
Appeared in Terror Toons (2002)
The film ends with the last exterior shot of the house. Day-OTraditional, lyrics by William A. Attaway and Irving Burgie [Wrongly credited to William A. Attaway and [Irving Burgie (as Lord Burgess)] by Harry Belafonte courtesy of RCA Records. This is by far Michael Keaton’s best performance. Every time he appears on screen, he gives a performance so eccentric that it rivals “The Mask” Jim Carrey, but without the help of computers. If his role calls for coarseness, it is objectionable; demanding, it is offensive; witty, he is sarcastic and hilarious.
It’s a classic
One of my few complaints is that she doesn’t get enough screen time, even though she gets a lot of it, most of it goes to Gena Davis and Alec Baldwin. Tim Burton’s direction is excellent. My favorite scene so far doesn’t even have Michael Keaton in it. Anyone who has seen this movie will remember it as the dinner dance scene. If you haven’t seen it, you must have grown up under a rock or were born before me.
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